His work focuses on the recurring geometries that structure both natural systems and human cognition — fractal cracks in dried earth, stellar dispersions, infrastructural grids, and microscopic cellular formations.

Rather than presenting these patterns as evidence of harmony, Reardon interrogates the human impulse to interpret them. The works hover between recognition and ambiguity, inviting viewers to confront their own pattern-seeking tendencies. In this way, the practice operates as both formal investigation and psychological inquiry.

Reardon is particularly interested in scale: how structures repeat across orders of magnitude. What appears chaotic at one level resolves into coherence at another. This “random order” becomes a metaphor for lived experience — the oscillation between fragmentation and meaning-making that defines contemporary consciousness.

Materially, the work often incorporates layered surfaces, modular construction, and digitally informed processes. Systems are established and then disrupted. Precision gives way to fracture. The tension between structure and entropy remains unresolved.

Reardon lives and works in the United Kingdom.